Jacob van Eyck: Der Fluyten Lust-hof
The image if shown any is for reference only so that you can be sure of the book title before buying. Original Publisher: Amsterdam, : by Paulus Matthysz. Seller Inventory S More information about this seller Contact this seller 2. Published by Amsterdam: Muziekuitgeverij Ixijzet. About this Item: Amsterdam: Muziekuitgeverij Ixijzet.
Eyck (Der) Fluyten Lust-Hof | amygybokihyd.tk
Condition: Good. Amsterdam: Muziekuitgeverij Ixijzet, Deel 2.
Near very good with a browned spine and edges, a small stain along the upper front joint, an owner's name to the top of the front cover and an ink stamp to the lower edge. Interior very good. Inquire if you need further information. Seller Inventory K16B More information about this seller Contact this seller 3. Published by Schott About this Item: Schott, Sheet music.
Condition: Used; Good. All orders are dispatched as swiftly as possible! Buy with confidence!. More information about this seller Contact this seller 4. More information about this seller Contact this seller 5. From: Gyan Books Pvt. Delhi, India. Reprinted in with the help of original edition published long back . As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots.
van Eyck: Der Fluyten Lust-hof for Descant Recorder - Volume 1
If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Language: Dutch.
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Seller Inventory PB More information about this seller Contact this seller 6. More information about this seller Contact this seller 7. Published by Muziekuitgeverij Ixijzet About this Item: Muziekuitgeverij Ixijzet, More information about this seller Contact this seller 8. Orientation to the text or the mood was simply not demanded, this is purely instrumental music. On the other hand, van Eyck did not turn a deaf ear to the themes.
Another close relation is suggested in ' 1. Balet, of Vluchste nimphje vande jaght ' nve Modo 2 is so whimsical and elusive, that there can be no doubt that he has tried to express the swiftness of the little nymph. In other works, van Eyck just drifts away from the theme and its affective qualities.
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In Modo 2 of 'Lavolette' nve he apparently took pleasure in obscuring the elegant nature of the theme. Comparison between the two 'Lavignone' pieces brings to the surface several elements of improvisation.
There is a modification of form the second is a 'chained' set , and small changes in rhythm and figuration occur, caused by forgetfulness or not. Here we become aware of a very personal, idiosyncratic practice. The idea of a piece as an unchangeable whole was apparently not part of van Eyck's way of thinking. He took freedom in other areas too, pitch level for instance. One of the 'Amarilli mia bella' pieces is in D minor, the other in G minor. The 'Tweede Rosemont' is basically the same piece as Modo 3 of the first 'Rosemont', but transposed up to a fourth and notated in doubled note-values.
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