While known as a sex worker activist, Brooks' research and advocacy expands to broader topics of gender and institutions, women of color and mental illness, queer race identities, women in the media, race and class.
In October Brooks co-organized a conference on hip hop music 's global impact at Lehman College , where she was an adjunct professor in the department of sociology. From Wikipedia, the free encyclopedia.
Siobhan Brooks - Google Scholar Citations
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I wanted to look at race as a form of social capital by itself. So what I did was I looked at racial stratification between black and Latina women who were strippers. The only qualification was their bodies and how they looked.
The Roots and Routes of Burlesque and New Burlesque
And I also noticed that in the lesbian club, those ideals translated in an all-women space, an all-black women space. So basically, darker skinned blacks and Latinas worked in clubs where there were very low expectations of their services.
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Men would come in and get angry when the women would [refuse] their money for a lap dance — men would want to touch them without paying them. Men felt entitled to do that and would try to bargain down the women.
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Read more about this project here. Burlesque is a genre that seems to have had nine lives, and historians and critics have kept defending its legitimacy. It has repeatedly been declared dead, taken up again, re-performed, picked apart, scorned, and reclaimed.
- Shearman on Brooks, 'Unequal Desires: Race and Erotic Capital in the Stripping Industry';
- Siobhan Brooks.
- The clubs with attention to racial passing among.
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It has been defined as pure comedy, erotic entertainment intended solely for men, but also offensive, feminist, and a queer art form. November 15, In Second Exam burlesque and new burlesque history.
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